LA BOUSCARLE
Research blog following the development of Sound Art through compositional and performative techniques in music, fine art, experimental film and creative computing.Each post is continually under development, and serves as a mapping of the author's listening habits and interests, please feel free to comment underneath with any thoughts or additions.
If you own the copyright on any of the music/pictures/videos posted and do not want them to exist here, email the below address and they will be removed forthwith.
labouscarle(at)gmail.com
-
Posts
- Tristram Cary
- Harry Partch
- Earle Brown
- Christian Wolff
- Luc Ferrari
- Charlemagne Palestine
- Hildegard Westerkamp
- Yves Klein
- Edgard Varèse
- Conlon Nancarrow
- Jean Tinguely
- Erik Satie
- François and Bernard Baschet
- Milton Babbitt
- Henri Chopin
- Igor Stravinsky
- Hugh Le Caine
- Jordan Belson
- Harry Bertoia
- György Ligeti
- Pierre Schaeffer
- David Tudor
- Carlos Chávez
- Grigori Aleksandrov
- Arseny Avraamov
- Max Eastley
- Walter Marchetti
- La Monte Young
- Eliane Radigue
- Stan Brakhage
- Norman McLaren
- Geoffrey Jones
- Bob Cobbing
- Kurt Schwitters
- Claude Debussy
- Alvin Lucier
- Lejaren Hiller
- R Murray Schafer
- Steve Reich
- John Cage
- Daphne Oram
- Karlheinz Stockhausen
- Iannis Xenakis
- Morton Feldman
- Olivier Messiaen
Categories
- Acoustic Ecology
- America
- Architecture
- Automation
- Book Reviews
- Britain
- Composers
- Compositional Techniques
- Computer Music
- Computer Science
- Concrete Poetry
- Dada
- Electroacoustic
- Electronic Music
- Erik Satie
- Free Improvisation
- Graphic Score
- Improvisation
- Indeterminacy
- Instruments
- Minimalism
- Music Concrete
- Open Form
- Orchestra
- Performance
- Piano
- Russia
- Score
- Sculpture
- Serialism
- Short Film
- Silence
- Sound Art
- Sound Film
- Sound Installation
- Sound Poetry
- Soundscape
- Symphony
- Synthesis
- Tuning Systems
Social
